Madonna runaway

Unable to breathe, not a second to see if you are still there or next door has left close to the stage. Without a break. That seems the greatest spectacle in Madonna's Sticky & Sweet, which yesterday attracted about 45,000 people to an Olympic Stadium in Barcelona that was not filled. Indifferent: the public, especially the female, this woman who is dominant, sexy and made a challenging night presided over by an overwhelming deployment of a script and I had a purpose. Nothing used, everything was meaningless, and all showed that Madonna thinks and wants to fill whatever containers they use.


The concert began with a half hour late, but just 15 seconds into the fatigue associated with the expected dissipated. A musical introduction to a moving ball starring projection drops by announced that the queen was about to appear. He did, oh yes, sitting on a throne, played with a top hat, bodice, Levite, legs and boots covered with mesh to kill. Candy shop and it sounded like Madonna, dominated by subjecting the body of dancers as a sultan of their eunuchs, a choreographed dance that kept her at all times as epicenter.

Screens made with millimeter accuracy and variety of plans, showing shots of the diva nearby, which led to a sweep of the first row of spectators when it greeted the audience with a "Hello Barcelona." Everything was planned, for the public, taken by the camera at the time of highest exaltation, encouraged the rest of the stadium. They knocked the alarm was uncorked and dancing with Beat goes on, a piece in which the display of the input voice as a Kanye West unpolluted white vintage car served as a platform for the choreography. A circular on the screen welcoming the provocative enardecía cabriolet rotating the image closer to the fans, almost stunned. Crazy.

And it had only played two songs. After the end of Part One, topped with Human Nature and Vogue, a long version of Into the groove opened the second. Madonna was more Picarones with a red skirt schoolgirl. Projections of Keith Haring graffiti dot the color screen while maintaining the pulse rate of a wild choreography and elastic. After a few spasmodic Holiday chord with the state about to levitate, it was a tribute to Michael Jackson with a short meddley (Billie Jean, Want to be startin 'something) that served as a dancer to execute the famous moonwalk step of allowing the re - rhythm and melody of Holiday. An overwhelming not stop focusing on the person of Madonna, tireless and inexhaustible in its constant changes by the broad scenario, assuming full responsibility in a show that leaves very little margin for error.

A few chords of God save the queen led to Madonna Dress you up with while practicing a guitar hero fell on his knees with his legs wide open, as the smug guys. The truth is that only see it depleted.

But she, the best gym ad which can be seen in the world, singing a disproportionate to the physical form, barely showed signs of tiredness. And when he had to kiss a good breathing applied to screw a dancer dressed like her in their first albums, with gauze and tulle, which he did in She's not me. Then, as with sports pantaloncillo short and lilac, came and Music interlude that ended the second part of the show.

The speed was such, events are developed with such speed, the effects are overlapped so that even seemed to show a compulsive, almost run, a rise that was never designed to run capped perhaps a veil over their own songs, much of whom had little artistic weight.
Figures
Madonna
Kanye West
Michael Jackson

Was offered for his latest album, well represented by songs rather than themselves, for a style and sound that indicates that Madonna too concerned about not only living left behind. Even elegance, finesse and sensitivity shown in superlatives such as tours Drown tour, the latest happened in Barcelona, back in 2001, are nowhere to be giving way and giving prominence to an almost sickening demonstration of faculty.

The third started with a little less gas and cut a ballad insubstantial, Devil would not recognize you, that Madonna sang on a piano inside a cage which is located in a provocative move down out of the screen above it.

Without showing an inch of skin for the first time at the concert, which took an hour, took Madonna Spanish lesson, and then continue with Miles Away and La Isla Bonita, a piece that the temperature rose again in the evening with an array Cutting Zingaro.

In the meantime, both the same songs by the diva, as illustrated in the interludes with projections, many fragments were fired from multiple tracks of many other artists, a way to build a kind of global event in which the tax will not be / appropriation of the legacy of foreign pop music. A gesture typical of a very clever artist adds to his talent determination, vision and ambition, an ambition stratospheric.

The fourth and final part of the show began with Madonna singing from the screen, perhaps a way of saying that as an athletic spectacle, choreographer and technological singing true or not is an important detail without capital.

The food for the eyes and holding the most popular songs was enough argument for complacency, surprise and surrender of the public that at this point the show had already capitulated.

Hiphopero pace of 4 minutes set the tone for what little that remained to be seen, an exaltation of the dance of joy and served as subjects for Like a prayer or Give it 2 me.

It was the shot to show a proud, self-affirmation of a woman who leads a life by stopping the time, perhaps riding on it.